Theo grew up on the classic flash that covered the walls of his uncle’s shop, then spent ten years pushing it into something softer and more detailed. His colour is packed in slowly, which is why it stays bright.
He works in day sessions, mostly on arms and legs, and is the studio’s go-to for cover-ups.
Hi! Ask me which artist suits your idea, what flash is left, what it might cost or how booking works.
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